Maybe like me you’re not only interested in finding immediate solutions for your depression problems. Of course that is important, but maybe like me you appreciate a wider perspective as well. For example by taking a look at the past.
We cannot just learn from the past. As I happened to illustrate in my previous post, we can also recognize the life and personalities of psychiatric patients from long ago. Their times and situation and treatment (if any) may have been different, but in essence they were people like us, with problems not really different from our own.
If you share this interest, then here is a remarkable photo project. It’s not just unique: in some respects it’s very touching as well.
What is this photo? It shows some things found in a suitcase.
When in 1995 the former Willard Asylum for the Insane (Ovid, New York) was closed down, in one of its attics about 400 forgotten suitcases were found. They once had belonged to patients, from the 1920s to the 1960s. The suitcases complete with their contents had been left behind after people died, went back home or were transferred to another place. Rather than discarding all unclaimed suitcases, the staff had carefully kept them in store.
One of the people visiting this exposition was photographer John Crispin. He was fascinated enough to start an ambitious long-term project to carefully photograph everything – all those suitcases and what was in each of them.
Each one of the suitcases is a kind of time capsule, so each one of Crispin’s suitcase photos is a very specific, detailed, clear document of the past. At the same time his photos show, through the filter of semi-random trivial objects, what’s been left of these patients’ lives.
Crispin photo’s are respectful, and carefully composed, but they also become more mysterious the longer you look at them, because of all the unanswerable questions that arise, all the untold and perhaps tragic life stories that they suggest.
When I saw these photos I really felt a strong urge to rummage around in those suitcases myself, to find out more about the people who once arrived in the asylum carrying them.
But the best place to go is Jon Crispin’s own blog where he reports about the progress of his Willard Suitcases photo project, with many more photo examples. Do take a look!
There’s one more question that Crispin’s suitcase photos made me ask myself, and that I want to ask to you now.
Suppose you were to leave behind one such small suitcase yourself? As a time capsule for your great-grandchildren, to be opened 80 years from now?
Just a modest little suitcase with some simple small essential things that you would take on a trip, things that may represent you even when you’re long gone yourself: things that will show a glimpse of your life – with the people you loved, the depressions you suffered from, the way you tried to care for yourself, and so on.
Besides your obvious smartphone (and a battery charger that hopefully will work 80 years from now) what little things would you put in that suitcase?
Do you see? When you get this far, Crispin’s project may even tell you something about yourself.
As promised when I posted a Letter to Medea, here is another photo from the oldest known collection of photos of psychiatric patients, taken about 1870 in the Sainte-Anne asylum in Paris. The director of the asylum, Henri Dagonet, used these photos to illustrate the typology in a textbook he wrote on mental illnesses (see the footnote at my Medea post).
Today’s long-gone patient was classified by Dagonet as suffering from depression. Like all Dagonet’s patients he comes to us from the 1870s without a name, but with a clear personality that has been preserved forever: in his photo, he lives on.
As with the others, we have no idea what actually happened to him after the photo was taken. We don’t know if he managed to recover and get released, or not. Whether he died in that asylum, or at home; by his own hand perhaps, or in peace.
I decided to give this man, who is still so recognizable, who once as a patient in that asylum was (in a way) one of us, the name “Orestes” – after the mad and tragic hero who was pursued by the Furies in Aeschylus’ Oresteia from Greek antiquity.
I won’t repeat what I did say already regarding Medea: it all applies here in the very same way. So let’s commemorate you too, Orestes, for a few moments.
And just like I did with Medea, I want to give Orestes a piece of music he may have heard in his own time; music that he himself may have well understood. So here is Ernest Blanc in the role of Orestes, in the 1779 opera Iphigénie en Tauride by Christoph Willibald Gluck.
(click the “Play” button – if it does not work, install Flash)
• footnote: Aeschylus’ Oresteia drama trilogy was first performed at the Dionysia festival in Athens in 458 BC. At this premiere, the onstage appearance of the humming Furies haunting Orestes is said to have been so fearsome that a pregnant woman in the audience suffered a miscarriage and died on the spot.
If Aeschylus means little to you, then perhaps you do know J.K. Rowling’s Harry Potter? Well, those horrible Dementors that haunt people and suck all happiness out of them, were not really invented by Rowling. They are just a slightly modernized version of these ancient revenge-seeking Furies.
This portrait here is not Emily Autumn, who is filling the rest of this post.
First, here is my daughter Sophie (portrayed by my friend Frans-the-painter). She is a nearly-graduated expert on medieval literature and manuscripts. She also writes, she makes beautiful drawings, she moderates a sci-fi/fantasy role playing game, she sings in a choir that brings everything from Yiddishe folk songs to Haydn church masses, she worked in a leather shop, she’s into custom-built computers, she cooks great meals, and she is a keen follower of alternative music and culture.
Don’t tell me I should be proud of my daughter: she does it all on her own power.
She’s the one who told me about Emily Autumn.
Emily Autumn is a unique, very flamboyant, punky-style American singer who has many dedicated followers. Having bipolar depression, she was hospitalized after a suicide attempt some years ago, and one of the recurring themes in her music is psychiatry, or maybe I should say anti-psychiatry. You can find Emily Autumn’s website here: The Asylum.
Last month Sophie was at one of Emily Autumn’s live concerts, and she was very impressed by its atmosphere, Autumn’s performance, the crazily dressed fans and the music itself. One of the songs Sophie told me about was Take the Pill, a kind of anti-psychiatric pamphlet translated into a bitter, sarcastic song. After listening to it, I felt compelled to comment on the actual text Autumn is singing here.
As you know my own stance is not rigidly anti-psychiatry, but not pro-psychiatry either: I would describe myself as “a fair critic”. I will never state that all psychiatry is by definition Evil: in some cases, professional therapy (including pills) can perhaps do some good, or even be needed – temporarily – to prevent a disaster. But I also do know very well that psychiatry is way too much commercialized, pushing extreme solutions onto people who might do better without, often resulting in a kind of counter-productive overkill.
I am convinced that in today’s situation, let’s say 80% of all habitual antidepressant users would do better without. The remaining 20% might benefit from them.
In my own past, pills and electroshocks may have helped me incidentally (perhaps preventing more suicide attempts than the two I survived). But they never helped me in a structural way. Against the advice of some psychiatrists, I stopped having electroshocks five years ago, and last year stopped taking pills altogether. On the whole, I feel better for it. But I know that what applies to me, is not necessarily true for anyone else: we’re all different.
I will use my own experiences here as a base for commenting on Emily Autumn’s Take the Pill song: giving you the complete lyrics, mixed with my own comments where I see fit. But first, here is my unique patented Depression Music Player so you can listen to Emily herself. Click the “Play” button to hear her singing Take the Pill:
take the pill that makes you weaker
take the pill that makes you sick
comment: Taken literally, this is sometimes true. Nasty side effects can hit some of us. But there also are people who don’t really notice any side effects.
…take the pill or you’ll be sorry
comment: Yes, this is what psychiatrists often suggest. What they mean is (if you’re in very bad shape at least, if you are suicidal) that if you don’t take medication you may not live to regret your decision to refuse them.
Maybe some psychiatrists do indeed use this suggestion as a kind of threat, to persuade you with force. But the same suggestion can of course also mean they are genuinely worried about you.
…take this bloody pill and make it quick
take the pill that kills your sex drive
comment: Yes, this is one of the most frequent side effects, experienced by many of us. Losing sexual urges and satisfaction affects not only yourself but also your relations with others; this can make your depression much worse.
Somehow, psychiatrists tend to grossly underestimate the importance of this. They keep prescribing medication that has this effect even when there are alternative pills that do not have this effect.
One other thing: in some cases, it’s not the medication that killed the sex. Sometimes, it’s the depression itself that has this effect.
…take the pill that makes you cry
take the pill that burns your insides
take the pill that makes you want to die
comment: Yes, there are known cases of antidepressants generating suicidal impulses instead of reducing them. This does not happen often, but it is a potential danger. This is one of the many reasons why you should never take those pills without regular checks with a qualified psychiatrist, for as long as you use them.
…be careful what you say
today could be your day
you no longer rule your body
comment: Yes, sometimes this is how it feels: medication-induced numbness resulting in the feeling you no longer have control over yourself. For example, you are moving but it does not feel like you are moving: more like a zombie.
This does not happen to all of us but it does happen fairly often: and equally often, you will become fully aware of this effect only after you’ve stopped taking antidepressants.
…you no longer own those rights
you will wake up when we say so
you will sleep when we shut out the lights
enjoy your stay
‘cause you can’t run away
comment: I’ve been hospitalized in a locked ward a few times myself, and of course this is certainly not a pleasant experience. But I want to add a few footnotes here.
It’s obvious that personnel in such a ward want to sleep you regularly, in their own practical interest, and so you won’t disturb other patients, and also because regular sleep can give you more energy to fight your own depression. But I myself have never encountered a regimen of brutally enforced sleep.
In fact, some of the most nice and personal conversations I ever had with psychiatric nurses did occur when I got wandering through the ward in the middle of the night, ran into a night-shift nurse who had little to do at that time, and got into a long talk with her before going back to my bed.
The interesting background dilemma of using locked psychiatric wards is of course that two things conflict here: the patient’s right of freedom, and the patient’s right to be protected against his own self-destructive urges. These two things have to balanced against each other somehow.
I’ll admit that this balancing may not always happen properly or with enough care. On the other hand, if psychiatrists think there’s a serious risk you will run off and impulsively jump from a bridge, can you always blame them for temporarily locking you up rather than taking the risk?
As for the constant supervision, the control and lack of privacy in some institutions: my first suicide attempt was by hanging myself while hospitalized. If they hadn’t discovered me in time, I wouldn’t have been around now. Yes yes, I know, you don’t need to tell me you wouldn’t have missed me, either… ;-)
…get back in line, get back in line, get back in line
get back in line, get back in line, get back in line
comment: I’m not sure what exactly Emily means here. If “get back in line” means that people try to force psychiatric patients into some predefined mold, in standard “normal” behavior patterns, that is indeed wrong. To a slight extent, I’ve sometimes experienced that myself: when it happens, it’s usually because psychiatrists and nurses (out of lack-of-time, laziness or lack-of-involvement) try to go the quick and easy way. When your behavior in some way is just irritating to them.
But I must say I’ve also found often enough that people tried to accept and respect my own peculiarities. And believe me, I sometimes can be a little strange or oversensitive…
On the other hand if “get back in line” simply means making your behavior a little more social again, then I would say there’s little wrong with that. For example, if ward personnel try to involve you in some activities with fellow patients again, then in the long run that might make you feel better.
…you’ll be just fine
take the pill that keeps you quiet
take the pill that keeps you blind
comment: Yes. Sure. Blind. I really must agree here. The first time I was able to fully, candidly, clearly overview and analyze my own situation and my depression, was after I quit taking antidepressants. Not during the years I took them.
…take the pill that wipes your memory
comment: I agree again. And this is even more true when it comes to electroshocks: in my case, they wiped out and destroyed important parts of the hard disk within my head. I can, for example, since those shocks not remember a thing about the difficult birth of my daughter Sophie. And with those parts of my memory, parts of my life, parts of my former personality were also wiped out forever.
This is another very important side effect that may not happen to everyone, but once again an effect that when it happens has a huge impact, and that psychiatrists tend to grossly underestimate.
…take the pill that’s f*cking with your mind
that’s all you have to lose
that’s funny
best that you’re not procreating
best that you don’t multiply
better still, let’s sterilize you
comment: Come on Emily. Are you serious? This is something that only the Nazis did, back in the 1930s and 1940s. As far as I know, no one in psychiatry advocates or tries to sterilize psychiatric patients today. Maybe I’m naive, but I just can not believe this. Please correct me if I’m wrong. If this really happens somewhere, there’s reason for worldwide action and protest.
…take this pill, the doctor’s standing by
pull up your skirt
and yes, it’s going to hurt
comment: Taken literally: yes. Sometimes. A needle, for instance. That can be very unpleasant, but it does not always mean it is just bad. Last year I had to have a gall bladder operation; that did hurt more than anything psychiatrists ever did to me – more than electroshocks.
But the other side is, after a few months I had overcome the feverish and painful side effects of my gall bladder operation. After five years, the nasty side effects of the electroshocks are still bothering me: that damage will probably last forever.
…get back in line, get back in line, get back in line
get back in line, get back in line, get back in line
you’ll be just fine
don’t you wanna be sedated
don’t you want to ease this pain
if the pills are not effective
then we will electroshock your brain
comment: I’ve had about 110 electroshocks. Really. In the beginning I was so exceptionally depressive and suicidal that maybe, I’m not sure but maybe, the first few shocks actually helped saving my life. I don’t know. In my case, the problem was that therapists went on shocking me with regular intervals, for about three years, even when probably it wasn’t necessary anymore. A treatment-on-autopilot. That’s plainly dangerous and wrong.
In general, electroshock treatments are so radical that they should be given only as the very last resort option, and only with the patient’s express content, after giving ample information and discussing it with him in an open, honest way. If there still are places where people get shocked against their will, that practice should be stopped. Right now.
…we are not happy with your progress
you’re not yet considered sane
if these pills are not effective
we’ll electroshock your brain
don’t even think of spitting out
we know your tricks, we’re on to you
we will check underneath your tongue
comment: In principle, forced medication is just as bad as forced electroshocks. In practice, maybe we can imagine a few cases where psychiatrists might find arguments to defend such a practice, saying that it’s no big deal and – as a kind of short-term safety measure –in the patient’s own interest.
But I still would find it very dubious, something that ought not to happen. Personally: as far as I can remember, I myself was never forced to take pills. Lucky me?
…we know exactly what you’ll do
your accusations are a joke
your credibility is shot
just keep your eyes down and your mouth shut
that’s the only choice you’ve got
so you’re a doctor and i am just a crazy little girl
who would you believe?
comment: Yes, some psychiatrists, especially in institutions, tend to assume a paternalistic we-know-best attitude, not taking the patient seriously. That’s not just wrong: it also is counterproductive. It will make the patient only suspicious, and sometimes with good reason. It will get in the way of a positive therapy, hampering instead of helping. All therapies should be based in the first place on open and informative communication between therapist and patient: the latter should be listened to (and answered to) seriously.
I suspect in this respect I may have been a little lucky because of my background: even when I was totally immobilized and almost incommunicable by my depression, psychiatrists possibly recognized I was a PhD with a university research job: in other words, to some extent one of their own kind. I’ve often had the nagging feeling that just because of that, they took me a little more seriously than many other patients, even when I tried to interfere on behalf of some fellow patient. But everyone deserves to be taken equally seriously!
…well he’s a doctor and you are just a crazy f*cking bitch
who would you believe?
we’ve filled your prescription, you’ll never run out again
we’ve filled your prescription, the drugs are your only friend
comment: Hmm… I don’t know. When suicidal I sometimes had the feeling that death was my only friend, but I’ve never had the feeling that pills were my only friend. Nor do I remember therapists actually suggesting something like that to me.
But don’t worry Emily, I do get your meaning, just like everyone else will. Psychiatrists sometimes like to suggest too easily that pills will solve everything. They won’t.
…we’ve filled your prescription, you’ll never run out again
we’ve filled your prescription, the drugs are your only friend
now, take the pill, take the pill, take the pill, take the pill
take the pill, take the pill, take the pill, take the pill
take the pill, take the pill, take the pill, take the pill
take the pill, take the pill, take the pill, take the pill
take it, take it, take it, take it
take it, take it, take it, take it
swallow, swallow, swallow, swallow
swallow, swallow, swallow, swallow
Conclusion:
Emily Autumn is an artist, and artists exaggerate. They have to. Without exaggeration and sometimes even a little distortion, there would be no art. It’s exactly this that makes art stand out from plain, dull reality. It’s exactly this that makes art effective, impressing, and beautiful.
Art does not always have a message, but Emily’s art does have one. Apart from the necessary exaggeration, basically she has a true and important message. Your own interpretation may be different from mine, but I feel it boils down to this:
Psychiatry should respect people’s individuality and human dignity. Not, as still happens too often, ignore, overrule, or even destroy it.
• note to blog followers: Sorry for the double (automatic) post notification. By mistake I posted an unfinished draft here first, so I had to trash that and then post the right version. That’s why you got it mailed twice.
Our third interview with Dunstan Dullish, the innovating, highly experienced Adjunct Background Facilities Coordinator of the Dullville Hospital Psychiatric Department.
In our first Dullish interview we learned about the Day Room, while in his second interview, he shared some Kitchen Secrets with us. What professional insights will he unveil this time?
“Hi! You know, I’m getting used to these interviews! You really do a wonderful job telling people about my work here! Now first of all, do you remember that last time, I introduced you to our therapeutic concept of NUMB meals? Those unidentifiable meals where patients won’t get any clue about what it actually is they’re trying to eat? Well in the meantime, with full support of our management and marketing divisions, I’ve been able to develop NUMB into a regular product, complete with registered trademark. We’re already selling the concept to more hospitals than you’d care to know. It’s a tremendous success and I’m very, very proud to have a share in it. I refined and streamlined the whole thing, too: we can now use the very same basic recipe every time – for daily variation, we only need to mix a few color additives that give those same foodballs a slightly different look every day. Simply super. You really should give it a try; maybe later on I can still serve you the meal that you missed last time?”
“Today I want to take you for a glimpse of the patients’ personal in-house environment, to show you how we’ve made that into a truly beneficial over-all experience where nothing has been left to chance. The basic principle is of course the same as with the Day Room I showed you before: no sterile hospital thing but something cozy, informal, natural, where patients can feel tranquil and completely at home. So what does this mean for their bedrooms? Take a look here. As you see, we leave it to the patient to actively create his-or-her own atmosphere. When we allot them a room, they get one that’s completely empty: we provide them with some amenities only when they feel they might need it.”
“What you see here is the room of a patient who arrived only a couple of days ago, so she’s still in the process of building her own informal environment. But as you see, she has already managed to leave quite a personal touch. And by doing so, she’s gradually re-discovering her own valuable identity: re-establishing the lost core of her own individual personality, so to speak. All by herself! Starting from nothing at all! Every time I see them achieve something like this, I’m deeply moved, I can tell you. Now you wonder why there’s hardly any furniture in here? That’s simply because she hasn’t had time yet to explore our Furniture Repository.”
“The Furniture Repository is another unique feature of our Psychiatric Department. Volunteers from all over town, mainly garbage collectors, help us find all kinds of dumped furniture for free. Beds, closets, tables, chairs, you name it. We stack it all at our Repository at the back wall of our main building – yes unfortunately we don’t have a shed for it yet, but that’s in the works.”
“Our patients are invited to go through the stack and borrow whatever they think would fit in their room, anything that can help them feel at home. Furnishing their own hospital room is of course also a stimulating, challenging activity in itself. And there’s more! If you want to shlep a heavy soggy armchair to your room, of course you need to ask some other patients for help, so it’s a great social stimulus as well! Once again, in fact we all benefit here: for from a budgetary point of view… But let me stress that as always, therapeutic considerations come first. Now let’s walk on to the lavatory arraignments, shall we?”
“Same story here: I hope you’re not going to find this a bit, um, Dull… ha-ha. Again that familiar homely atmosphere where we offer as much activities as possible to the patients themselves. Toilets, wash basins, shower cabins, it’s all there for the patients, so we leave it to them to discover they still should regain some kind of responsibility of their own. Beginning to understand that cleaning themselves also means cleaning things themselves. Feeling just a tiny bit responsible again is one of the many small stepping stones of the long staircase up towards recovery. Absolutely. Works in wonderful ways. Yes you noticed? We also let them wash and dry their own clothes if they need to. All by hand, naturally: repeating some simple physical activity is just another great stepping stone in our therapeutic trajectory.”
“How the patients feel about all this? Do you need to ask? I really get showered, ha-ha-ha, with deeply grateful testimonies! Occasionally I will ask a patient to write one for me explicitly, because they come in very handy when we’re applying for some extra funding from philanthropic societies and foundations. Here, just let me show you a sample:”
“That face? What do you mean, that face? Yes now listen to me, if we seek funding using this kind of thing, we need to show them some real bad patient, right? Don’t you understand? A happy carefree face doesn’t generate empathy. Wat does is the image of some needy, life-battered, desperate psychiatric patient whose sad, pitiable head is really crying out for some substantial funds to help cure her, OK? What do you mean, a face confirming nasty ancient depression stereotypes? Holy sh… how can you think that? We don’t think in clichés, no really we don’t, it’s just that when fundraising we need patients’ faces to look like that! Come on, use your lazy brain for a second, it’s obvious, I’m not going to defend myself here.”
“Sigh… well that one I saw coming. What we do with that kind of funding. Sure. No problem. We develop and implement all kinds of what we call extra-therapeutic projects. Long-term endeavors aimed at further enriching the patients’ institutional experience, in ways that cannot always be realized within ordinary therapeutic settings. Example. Yes of course you want an example. Well look, my time’s running out for today’s interview, but I’ll give you just one striking example. Our unique and hugely successful Mice Project.”
“It all started with a generous gift from NAPSO, the National Association of Pet Shop Owners. Thanks to them, we were able to buy 137 live mice and set them free in the psychiatry building. We’ve got probably thousands of them by now, and they’re allowed to roam wherever they want. Didn’t you notice the mice scuttling about in our Day Room? Oh, afraid to ask about it, were you? Well it works exactly as we intended. And the nice thing of a project like this is of course that once it’s running – once they’re running, ha-ha – the project takes care of itself. We can keep it going forever without any further maintenance costs. But why? Pfff… I was already afraid you wouldn’t get it. Actually the therapeutic benefits are… well, huge. Immense. Even I, though I’d developed the theoretical base, had not expected such a success.”
“To name just a few things, patients now develop a bond with nature, with cute tiny never-depressed active alert beings. They no longer feel alone in the universe, but part of larger scheme of living things. Some patients after a while even develop a real emotional bond with one special favorite mouse, and often this means that for the first time in years they manage to feel outward-bound feelings again. Furthermore, the sight of all those mice scurrying about happily contributes to a never-dull atmosphere of activity: something’s always happening in the background. This helps to prevent very depressed patients from falling asleep in their chairs. Also, other patients may sometimes try to chase some of the mice, just for fun: this provides people not just with a direly-needed moment of distraction and a shift-of-focus, but also with a little goal-oriented physical activity. Really, I could go on for hours telling you of the innumerable positive effects.”
“Ah yes. The people who are afraid of mice. I can tell you, for those patients who couple their depression or other psychical problems with some kind of phobia, our Mice Project works in even more positive ways. Due to the number of mice in our wards, a confrontation with them simply cannot be avoided. So after the initial phase of sheer panic or feeling afraid and repelled, this in fact confronts such patients with the actual roots of their irrational fears or repugnance. Because they cannot stay clear of the mice, in due course they are forced to come to terms with them – and thus, to re-orientate themselves and at the very least begin to accept and control their panic and fear. And the long-term exposure to our mice will gradually teach them that all their fears are actually unnecessary and unfounded.”
“OK, I really have to go now, an urgent appointment you know. But still there’s so much more to tell you about. So next time, I’d like to introduce you to our Smoking Cell and Smokers’ Courtyard. Is that a deal? Fine. See you!”
This is part of a series of Dullish interviews.
For the other ones, see: Dullish 1, Dullish 2.
Our second interview with Dunstan Dullish, the innovating, highly experienced Adjunct Background Facilities Coordinator of the Dullville Hospital Psychiatric Department. In our first Dullish interview, we learned about all kinds of Day Room amenities. What professional insights will he share with us today?
“First, thanks for interviewing me again. You know this is not about me; this is about my job. I’m very grateful for these opportunities to create a little more understanding for the immense challenges that we meet right here in the psychiatry ward every day. Did I hear you ask about today’s focus? I’ve thought about that, you know, there are so many things I should show you: the showers and toilets; the bedrooms; the staff office; the therapy rooms; the smoke-garden; the… Well, you’ll understand I had to make some arbitrary choice. So today, let’s talk about just one of all those essential things: our kitchen facilities and food policy. Would you follow me please?”
“Patients can freely access the ward’s kitchen, so as you see we tried to create exactly the same atmosphere here as in the Day Room I showed you last time: warm, cozy, informal, slightly unordered, natural colors. Patients should feel at home. So no clinical gloss here, no sterile white hospital gleam. Last time I already explained all that. We try to incorporate the latest insights from behavioral and other sciences: I’m very proud of what we accomplished here. In terms of developing an environment and facilities specifically tuned to the needs of psychiatric patients, this kitchen is state-of-the-art.”
“Of course this kitchen is not for actual cooking. We get our hot meals delivered from the hospital’s central kitchen; more about that in a minute. The one thing this kitchen is used for most often, all day long, is simply to fetch a cup of coffee. From the machine over there in the corner. Shall I get you one? Sugar? Whitener? Now please tell me what you think of our coffee.”
“Tepid, you say? That’s a very keen observation. Tepidness is exactly what we wanted here in the first place. We had the mechanics very carefully adjust this machine so it will never, absolutely never pour hot coffee. There’s a whole bunch of good reasons for this. Like, a sedated patient who suddenly feels the hotness of the cup she gripped with her trembling hand, may in a reflex let it go and spill it all. Or take some poor depressed devil whose foggy mind doesn’t even notice the coffee’s hotness until the first gulp badly burns his mouth. So our machine is set to make coffee at near-body-temperature: if you’re a patient, you’ll hardly even notice you’re drinking something.”
“The plastic cup. Yes. Let me explain. As you know, most patients feel bored most of the time. So they often get themselves a cup of coffee just out of boredom. It’s part of their Kill-The-Time strategy. Take a guess, how many cups of coffee will an average patient have in a day? You’re not even near. It’s thirteen. So we cannot use real coffee cups: the dirty cups would pile up all over the place and we would lose a lot of time just washing them. Besides, a real coffee cup can break. Some patients might even break them on purpose, leaving a trail of dangerous shards. So plastic cups it is. But we make sure our patients re-use the same throwaway cup several times. How? Well, about half past ten every morning, we simply remove the entire plastic-cups-stack. We make sure that for the rest of the day, no new clean cups can be found. Nowhere in the entire ward.”
“Do you begin to appreciate now how much careful thought went into this seemingly simple cup of coffee? And I’m not even talking yet about all other aspects of our coffee policy, such as the ingredients: the non-allergenic non-milk chemical whitener, or the actual caffeine level. We had to compromise there a little, but I’ll spare you the technical details. Instead, let’s take a look at the sink now. Over here. Tell me, what’s your very first impression?”
“A dirty mess? Yes, and that’s just what it should look like. For this apparent mess is based on groundbreaking fundamental research. I take it you never heard about that brilliant German researcher, Dr. Paula Scheibenwischer? I know her dissertation almost by heart. Über die innere Notwendigkeit des Waschens als Heilmittel für die grundlegenden menschlichen Leiden und Misserfolge. Believe me, absolutely brilliant. That’s what we’re trying to do here. To explain it briefly, we staff members will never clean this kitchen. On the contrary, often we bring our own kitchen garbage from home and dump it here to create a new mess instantly. That’s MOD for you: Mess-On-Demand. And of course when the hospital’s cleaning crew comes in, we always let them skip the kitchen.”
“Still don’t get it? According to the Scheibenwischer Theory, every human regularly needs something to clean. Cleaning sets our mind at peace, because it shows us that our actions (our cleaning actions) can make some visible difference. By cleaning we prove to ourselves that we are masters of our environment, not the opposite. All patients here in the ward feel so troubled and powerless and passive, they desperately need something to clean. That’s why day after day, we intentionally create this cleaning challenge for them. And of course there are other factors as well: did you ever happen to visit a depressed single patient at home? Well, then you know that their own kitchen sinks look exactly like this, and this so-called mess will make them feel even more at home here.”
“By the way, I hope I don’t need to explain the absence of any sharp kitchen knives? Fine. Then let’s take a look at what’s on the table over there. This is the bread we use for breakfast and lunch. No ordinary bread, I assure you. We would never allow your regular white or brown bread in here, whole wheat bread least of all. No, this bread is custom-baked for us here in the hospital. Just feel one of the slices! Yes this is it: the one and only original Sponge Bread. Sooo soft, sooo spongy, it feels as if it might melt away in your mouth, hardly a need to chew, almost like you could just as well drink it.”
“Why? Do you really need to ask why? OK, let me give some examples. You’re a patient. We’ve been giving you electroshocks, with the result that you cracked some of your molars. Chewing things now is painful for you. See? Or you’re a patient who’s refusing food, and we’re getting you to eat something, something that once in your mouth, will be swallowed with little effort. See? Or you’re so confused that you forgot to bring your dentures when we took you in. Should I go on?”
“Yes yes I guess we’re running out of time… There’s so much more, shall we continue some other time? Great. Thanks. But to cap it off for today, there’s one more thing I want to show you. You see, before you came in I called the central hospital kitchen and I had them deliver a sample of… well, just one of our typical dinner meals. Look at this platter. What do you see?”
“You’re right again! You want to know what it is! That’s exactly the point!”
“We call this a NUMB dish, for Neutral Unidentifiable Meal Balls. At first sight the white ball may make you think of mashed potatoes, but to someone with a Muslim background it might just as well be a lump of overcooked rice or couscous. And if you would taste it – no no I understand you’re not that hungry this time of the day – but assuming you would try, then you would be even less sure about what you’re eating. The only thing you might notice is, this stuff slides down even easier than your bite of Sponge Bread. Same for the green ball: it may look a bit like minced spinach or pressure-cooked endive or crushed beans, but after a mouthful you’ll be completely in the dark. As for the meat, is it chicken? Pork? Some kind of fish? After a bite, you’ll even start to wonder whether this is real meat or a ball of some vegetarian substitute. Oh, I forgot that creamy-looking stuff in the bowl. Gravy? Some kind of sauce or dressing? Or maybe a side dish of soup? If you ask the patients who sit next to you at the table, they won’t have a clue either.”
“There were so many reasons to introduce NUMB, not for cost-efficiency but in the very best interests of our patients… You know what, while on your way back home, you try to figure out the main reason why we serve these NUMB dinners. Then when you come back to interview me next time, I’ll tell you if your guess was right. OK? Thank you so much, I really look forward to see you again soon.”
This is part of a series of Dullish interviews.
For the other ones, see: Dullish 1, Dullish 3.
“My name is Dunstan Dullish. Nono, not Dulles. They always get that wrong. Dullish. I Ess Eych. I am the Adjunct Background Facilities Coordinator here, for the entire Dullville Hospital Psychiatric Department. What I do is I manage the patients’ in-house experience. This is of vital importance so I am very happy, yes, really happy that you give me this opportunity to tell a bit more about my expertise and responsibilities. My job may be little known but it should not be taken lightly. I love it. Okay now, shall we? For a start, take a look around in this Unit Day Room here. Actually we call this the Living Room because we want to make our patients feel a little at home. Make them feel comfortable. Cozy. What I absolutely try to avoid, is that sterile clean-shrubbed clinical hospital atmosphere.”
“See the dimmed, soft, natural colors? The maintenance-free witherproof greenery? The vomit-resistant but still comfy armchairs? I can assure you it’s all very carefully chosen, up to the smallest detail. We literally do everything to pacify them. Everything. Though in fact of course, you know as well as I do, this is no Living Room at all. This is more like a Waiting Room. What we see here all day long, well into the evenings, is patients hanging around Waiting. Just Waiting. That’s pretty much all they do. They will sit waiting for their turn with the Adjunct-Assistant Psychiatrist, they wait for their supervised walk in the garden, they wait for their daily shot of Prostratebam or Effexorelse or Sanerexcept, they wait for a call from home, they wait for their Group Talk Session, they wait for my lunch rolls. They sit waiting for hours.”
“So we have them kill Time. Big Time. This cabinet over here? Our Games Cabinet. We have social games such as Monopoly, competitive games such as chess, and concentration games such as jigsaw puzzles. Altogether nothing special you would say, right?”
“Now here comes the trick. We add a little Frustration to the mix. You see, for a game, a touch of frustration is what a pinch of salt and pepper is for mashed potatoes. A taste of real life. So what we do is, for each game, we just remove a few little pieces. From the Scrabble box, we may remove all the E’s except one. For a large jigsaw puzzle, we replace five to ten pieces with some stray pieces from another puzzle. In a deck of cards, we always make sure one of the aces is missing. For checkers, we take a… well, you get the idea. From a therapeutic point of view, for our patients, this works just great. It creates totally new situations out-of-the-blue. It forces them to confront unexpected adversity, to muster some power, to improvise a solution, or even think out alternative rules for the game. It keeps stimulating them. Just a little touch of reality.”
“Do you see that old TV over there? Do you wonder why it’s so small, why no widescreen? Well this forces patients to drag their chairs close together right in front of the set, so in effect this enhances the group experience of watching TV. To prevent channel-choosing conflicts, we make sure there is just a limited number of safe channels. Safe meaning not-disturbing, of course. Like, we block NGC because of their Airline Disasters. We block CC because of their cynical, subversive South Park cartoons. Sweet things like Little Lost Doggies, that’s what we go for.”
“Even more important, yes absolutely essential is, of course, we always take care the remote is either missing or broken. And if some wiseguy… well, we just flip out the battery again. For them, this means less unexpected channel switches, and a little more physical challenge.”
“The video, yes it’s one of those old VHS players, and we want them to use it wisely. So what do we offer? Disney of course, but especially – this is a little touch I personally developed over the years by trial and error experiments – Lucille Ball. Are you old enough to remember those sixties-and-seventies Lucy TV shows? Yes. Compilation tapes of your vintage, cheerful Lucy shows. You know, once patients come to terms with it, they actually get to Love Lucy! This really helps them much more than haggling over some stupid, brutal, aggressive, violent, negative Arthouse Hitlerboys movie. You know what we staff people call it? This Lucy thing? A dose of pure original discounted Prozap! Hahahaha! Yes, our work is difficult at times, but we keep laughing.”
“Now here is the reading corner. One of my prime concerns. Having too much choice can be daunting, so we keep the number of books limited. Naturally, visual, superficial, easy content is best. You know, a coffee table book about Castle Ruins in Scotland, that sort of thing. Anything that will distract them, that they won’t easily contaminate with their troubled minds. Take this big one with Garden photos: just what they need. Although you never know for sure, I’m sorry but that’s the way it is. A really depressed patient may see horror even in the most innocuous things.”
“As you can guess our budget is limited so for actual reading matter, we depend mostly on what’s been left behind by patients themselves. Dog-eared novels, self-help literature, you name it. Once in a while we’ll do some screening, weed out the less desirable things. And of course that same little games trick works with books too: just tear out a few random pages. Works about the same way. Stimulates emotions but also imagination. Though I must say, some patients won’t even notice when there’s a page missing.”
“Now what I’m really proud of, is our magazines service. I developed a truly cost-effective solution here that works out great in several ways. You know, with magazines, you need variety and circulation. Sure there still are hospitals that keep using the same old little stack of torn-out Readers Digest, Good Housekeeping, NatGeo, Cosmo issues for years on end – they don’t really do anything about it, though your average patient will be through with the whole stack within a couple of days. I would never allow that kind of negligence here.”
“So how did I crack the problem? Well, a contract with a paper recycling mill. Twice a year, they get us a full bale of old magazines that would otherwise have been mauled by the shredder. We then let patients themselves, by way of therapy, sort out what’s fit for the reading tables. And the rest goes to the Art Therapy rooms where it’s cut up and used for making things like collages.”
“Time up already? But we didn’t even get close to the rest! You should get an idea of the total in-house experience, of the care we put in. Like how we manipulate the lights everywhere, how we use specific home and hospital odors – look here, we didn’t even get further than this Living Room! The in-ward kitchen and the meal presentation, the sleeping rooms, showers, gym… Yes, a follow-up interview would be fine. No not just fine, to be frank I think it would be absolutely… OK. See you back here. That’s a deal then.”
This is part of a series of Dullish interviews.
For the other ones, see: Dullish 2, Dullish 3.
Author: Henk van Setten
▼ Search Me ...
Today In History:
May 22, 1859 –
Birth date of Arthur Conan Doyle, the Scottish physician and writer who in his popular stories (from 1887 to 1927) created the best known detective ever: the sharply observing and deducing Sherlock Holmes.
Doyle profiled Sherlock Holmes as an obvious bipolar character, with both manic-active and depressed-lethargic episodes. In the stories, Holmes keeps trying to overcome his periodic depressions by playing the violin (sometimes), smoking (frequently) and using cocaine (as a real addict).
Portrayed in this way, Doyle's Sherlock Holmes probably was the first popular fiction character suffering from frequent depressions.
For the very latest online news items about depression, try the daily listings at
Listed at:
Save as PDF File:
Do you want this webpage in one single file that you can easily save or forward to someone? Click here to download this page as a PDF file. Conversion will take a few seconds.